What kind of media do you use?

Advertising is usually delivered in what we call “paid media” - which would include TV, Radio, Print, Direct Mail, Outdoor, Internet etc. It’s usually your company talking about yourself.

There is also what we’ve come to know as “unpaid media” which is usually described as Public Relations- where  your press release, guerrilla stunt, amazing feat, etc. is actually newsworthy- and you appear in the media- usually print, radio, TV or Internet. This could be defined as others talking about you.

Then we have the new media form, and by that, I don’t mean web, Internet, etc. and it’s new name “earned media”- this is where something is so interesting that it gets circulated and watched out of fascination. It is the basic building block of a viral campaign. It is becoming the most valued form of advertising- but there is no price tag on it. You can’t just pony up money and get the eyeballs. Earned media is the result of the new currency in advertising (which really has always been the true currency) creativity. Creative solutions, creative executions, interesting, funny, informative and unexpected messages can take your brand message places that conventional (paid and unpaid media) can’t and won’t.

This creates a huge problem in advertising agency compensation - are you as a client, willing to pay for the value of a good idea? Or are you still basing your compensation plan on the size of your media buy or on hours worked? If you want to earn eyeballs instead of pay for them, the first thing you need to eyeball is what you are trying to buy from your ad agency.

And then decide what kind of media is going to get you what you want.

Marketing beats technology- Seth Godin teaches Google why they are winners.

I’m totally convinced that within 5 years, the only people selling targeted ads in video will be Google. The networks (broadcast and cable) will be toast. Content producers will be uploading their content to Google Video- where we will go to download our programs. Some will be free, others will cost, and if you can’t afford to buy the program at full price, you’ll be able to opt in to sell your eyeballs to some marketer who wants to reach you.

So, when Google wants to know it’s future, they call on Seth Godin- and this 48 minute video shows you why Seth Godin is one of the go-to guys for the future of marketing and advertising.

When I have some more time, I’ll pull out the juicy parts- but for now- I’ve pointed you in the right direction.

Think more about outdoor advertising

If you are involved in advertising, more than ever, there are two mediums that you shouldn’t ignore- the web and outdoor.

We’re here trying to educate clients (and other ad agencies) about not making “brochure-ware” websites and “Chest-beater” sites.

Definition of a chest-beater website:

a ego-centric site all about the site owner, and how great they are, without any real, useful information, typically built in Flash, so it’s guaranteed not to index or be W3C compliant (accessible to blind people).

Example copy: We’re the best advertising agency in the world- and that’s why you should hire us. We’ve won every major ad award, and throw amazing parties at Cannes. We work with all “A” level directors, and allow our creative departments to spend all your budget on very expensive TV spots, while ignoring your website, operational opportunities for marketing and anything we can’t win an award for.

Outdoor advertising on the other hand, is often the budgetary afterthought. After all, agencies don’t make as much money on cost effective media- due to the stupid idea of paying agencies with a discount on media billings. (more…)

What an ad agency is supposed to provide

Ad agencies aren’t playgrounds for big kids with oversized egos. At least not ours, and hopefully not yours.

Sure, we may not wear a suit and tie into the office every day (never confuse fashion with brainpower- Albert Einstein reportedly owned 7 identical black suits and wore them in rotation) and our offices may look cooler than yours- but, advertising is serious business.

Screwing up advertising can kill a business- if you have any doubt- look at what the SuperBowl spot for the shoe retailer “Just for feet” accomplished (if you haven’t heard of “Just for feet” it’s because they went out of business soon after. There is a reason to test ads and do research- but that is another subject- with its pros and cons.

This spot has been removed from youtube, This is the only place I can find it: http://adland.tv/commercials/just-feet-kenya-mission-1999-030-usa

Agency.com thought they’d try to be hip by releasing a video on You Tube (above) about their process to prep for a pitch to Subway. They thought it would be a “viral”- meaning it would be passed around and watched- and that they would be uber cool- except, they ended up looking like kids with oversized egos on a playground.

Recently, I was a judge in the American Advertising Federation student competition- and my impression is that the worst student teams showed more insight than the people at Agency.com

Yes, the video is getting watched, yes, I’m writing about it, and no, it’s not worth all of this attention- other than as an example of how not to prepare for a pitch- or what to bring. It’s mostly getting watched by other ad types- and then mocked.

You can read much more about it on Adrants:
Adrants » Agency.com Has Hipster Orgasm On YouTube

There was on comment that I thought needed to be shared- from someone who calls themselves “Pitch Consultant” (we have a list of advertising agency review consultants on our site if you happen to be looking for one) sharing some insight into what to look for in an agency search- and what to avoid:

Here is yet another example where stupid ad agency people, who obviously were in the middle-lower Bell curve in school, seem to think enthusiasm is more important than intelligence.Is there an insight into how the interactive medium can add value to the physical offering in a way that will build frequency and loyalty, increase check size and same-store sales? A analysis of potential challenges the brand is having on a store-to-store up to national level? Any demonstration that the people at Agency.com understand the fast-food business operationally? How money is made? The role of communications channels? Anything that the clients, who have undoubtedly spent many more hours in different stores, might not have heard before?

Nope. Just a bunch of idiots who walked down the street in midtown Manhattan, stole jobs from entry-level service workers for a day, insulted passers-by, and otherwise did NOTHING to indicate any potential for being anything other than wacky asshole hipsters who condescend to the brand, those that work there, and those who eat there, and certainly aren’t there to make Subway a more successful business. The sad part is that they seem incapable of the shame they should feel.

A ‘passionate’ moron is still a moron. Hire some smart people, Agency. They cost a little more, but you don’t have to buy as many sandwiches or resort to pathetic crap like this.

This is one of the reasons you shouldn’t expect instant results from an ad agency- it takes time to learn your business and your customers. Great advertising solutions don’t typically come on the first campaign, they come later. Wieden + Kennedy didn’t come up with “just do it” for Nike until they had been the agency for a number of years.

Agencies need to fully understand your brand DNA to make a meaningful campaign- or have a radically different approach to communicating with the marketplace. If you are wondering why Crispin Porter + Bogusky keeps hitting home runs, it’s often because they find an exploitable niche that hasn’t been spoken to, and capitalizes on the opening. Hence Mini owners were asked to think of their cars as a personal escape tool with “let’s motor” and Burger King is now the place for the “Meathead” male, aged 18-25 who is most likely to eat fast food 4-5 times per week.

One of the main problems with the Subway account is that the client is splitting up the duties between differnt agencies. Online is just another medium, and if your agency can’t supply the complete message delivery package you should consider another agency.

Subway has been notoriously hard on their ad agencies, with many lawsuits between the franchises and the franchise holder. It’s doubtful that there is an environment for a mutually beneficial relationship between an agency and this client no matter how smart the agency is.

After years of growth, Subway is facing it’s first serious national competition from Quizno’s and others. And while Subway has made great strides in variety of offerings and has become more competitive in hot subs, they have a long way to go when it comes to making their brand relevant.

Could the right agency help contribute to Subway’s success in the market? Absolutely.

Would they come up with the solution in a few days, over subs as portrayed by the people at Agency.com in their video- absolutely not.

I’m not sure if Agency.com was paid to pitch the account- but, there is a lot to be said for “you get what you pay for” and spec campaigns from agencies invited to pitch are the last way you should pick your agency or your strategy.

Our first question to clients is always “what makes you the most money” and how do we maximize that. If you are interested in what the rest of the questions are- call us.

It’s not just ads that make them great…

It’s not just advertising that makes the work from Crispin Porter Bogusky interesting- it’s the sites that go with the ads. Not always the best from a search engine standpoint- but always fun.

Here is a partial list from their site of microsites to support campaigns. Almost every ad you see from them has some kind of website to go along with the ad. These links give you insight into the thinking behind each site.
CP+B microsites

BK Subservient Chicken
http://www.cpbgroup.com/awards/subservientchicken.html

MINI Robots
http://www.cpbgroup.com/awards/r50r.html

BK Ugoff Website (the spot was one of my personal favorites)
http://www.cpbgroup.com/awards/ugoff.html

BK Angus Interventions
http://www.cpbgroup.com/awards/angusintervention.html

Borders Giftmixer 3000
http://www.cpbgroup.com/awards/giftmixer.html

BK Chicken Fight
http://www.cpbgroup.com/awards/chickenfight.html

Method Come Clean
http://www.cpbgroup.com/awards/comeclean.html

IKEA Musical Chairs Banner
http://www.cpbgroup.com/awards/musicalchairs.html

IKEA Back2School Banner Campaign
http://www.cpbgroup.com/awards/b2s.html

Virgin Massage Banner
http://www.cpbgroup.com/awards/massage.html

Virgin Haircut Banner
http://www.cpbgroup.com/awards/haircut.html

Virgin Dreams Banner
http://www.cpbgroup.com/awards/dreams.html

Virgin Feather Banner
http://www.cpbgroup.com/awards/feather.html

Virgin Bounce Banner
http://www.cpbgroup.com/awards/bounce.html

Virgin Golf Banner
http://www.cpbgroup.com/awards/golf.html

and if you don’t want to just look at what Crispin Porter +Bogusky thinks you should be looking at-

try

www.thejettareport.com for VW
www.manlaws.com for Miller Lite

If you know of others- please feel free to add them in the comments.

Mark Cuban gets it.

The Movie Business Challenge - Blog Maverick - www.blogmaverick.com _

Mark Cuban- the guy who owns the Dallas Mavericks and HD Net- uses his blog to make him money. Not that he’s lacking it- he’s got enough to buy half of Dayton- and then some.

While offering jobs seems to be the thing for billionaires to do (Donald Trump and the Apprentice, Richard Branson and “The rebel billionaire” and Mark Cuban with “The benefactor”- c’mon- try to be more original) Cuban poses a very real question: How to market movies for less and drive people to the theaters.

Answer the question- and get a job.

So far- 568 applicants (give or take)- including The Next Wave.

His question is very much related to the topic “thoughts on TV” on this site- and how to get eyeballs in a Video On Demand (VOD) universe. It’s also why Amazon sells more than just books- since over time Nicholas Negroponte’s “Bits not Atoms” axiom will take effect.

Negroponte (head of the MIT Media lab, author of “Being Digital” and former back page writer for Wired magazine) said that converting digital bits to atoms- like newspapers, DVD’s and the like- doesn’t make sense- whatever is digital- should remain digital. So, the only thing movie theaters can do is take a lesson from Bookstores which have transformed themselves into social gathering places to survive. You may be interested in Hollywood Blvd. Cinema, Bar and Eatery in Woodridge IL- which seems to have mastered this (although their website needs a web 2.0 makeover).

We doubt we’ll hear from Cuban- but if you are facing marketing challenges in a changing world- consider giving us a call.

What do you think?