Insights
Burger King is blaming the wrong King
Burger King recently ran a 90-second spot during the Oscars to tell us that it knows it screwed up. The restaurants got old, service got slow, Whoppers got crushed in bad packaging and fast food generally “fell off - us included.” Then, as the big symbolic gesture, they fired the creepy plastic-headed King and announced that there is a new King - you, the customer.
I have news for them. The King wasn’t running the place.
He didn’t make the restaurants dirty, slow down the drive-through, underinvest in equipment, crush the Whopper, kill good products or replace them with cheaper ones that weren’t as good. Burger King admits that the King had already been largely missing from its advertising for years. Firing him now is theater - a convenient way for the people who made the bad decisions to blame a guy with a plastic head who wasn’t even in the room.
What makes the new spot particularly insulting is that the whole thing is a watered-down copy of Domino’s “Pizza Turnaround,” one of the most successful restaurant turnaround campaigns ever created. Domino’s showed actual customers saying the pizza tasted like cardboard, admitted they were right, changed the crust, sauce and cheese, then took the new pizza back to the people who had hated the old one.
The agency that did Pizza Turnaround? Crispin Porter + Bogusky - the same agency Burger King is now mocking by ceremonially firing the King.
Burger King’s current president, Tom Curtis, and RBI executive chairman Patrick Doyle both came out of Domino’s, (Doyle starred in Pizza Turnaround as Domino’s CEO) so they know exactly where this playbook came from. The new BK spot isn’t accidentally reminiscent of Pizza Turnaround - it is Burger King stealing CP+B’s playbook to apologize for CP+B’s Burger King advertising.
That takes balls - or an incredible lack of institutional memory.
Burger King has had a revolving door of advertising agencies for most of the last 30 years. By my count, nine different lead or principal U.S. creative agencies have had a turn, with the seven-year CP+B relationship and the later DAVID 8 year run being the exceptions. Every new management team seems to arrive convinced that the last agency was the problem, hires another hot shop, changes the voice, changes the strategy and then wonders why consumers don’t know what Burger King stands for anymore.
This is what happens when companies confuse changing the advertising with changing the business.
Burger King’s strategic amnesia wasn’t limited to advertising agencies. In 1999, it replaced the simple burger logo it had used for decades with that tilted, pseudo-three-dimensional thing wrapped in a blue swoosh - the logo you might design if the United States Space Force decided to open a hamburger stand.

This wasn’t just changing the letterhead at corporate headquarters. Thousands of restaurants had exterior signs, roadside pylons, menu boards, drive-through graphics, packaging, uniforms and other branded material that had to be changed as the new identity rolled through the system.
I haven’t found a published accounting of what Burger King and its franchisees spent. But even a very conservative $10,000 per restaurant across a global system of roughly 10,000 locations puts the bill around $100 million - and anyone who has ever purchased and installed illuminated commercial signage knows that $10,000 doesn’t go very far.
Did the Space Force logo sell one additional Whopper?
There is no evidence that it did. Burger King was already struggling when the logo arrived, kept struggling afterward and eventually needed Russ Klein and CP+B to make the brand relevant again.
Then, in 2021, Burger King announced another complete rebrand and essentially returned to the burger logo it had abandoned in 1999. The design community praised the new retro identity - and, to be fair, it is much better - but the new version was introduced gradually, leaving restaurants displaying two different Burger Kings while packaging, uniforms, signs and remodeled stores slowly changed over.
So Burger King and its franchisees spent a fortune replacing a recognizable logo with a trendy one, kept it for more than 20 years, then began spending another fortune to return to something close to where they started.
Meanwhile, the beef was still frozen.
That may be the perfect summary of Burger King management: spend money changing the sign while avoiding the harder and more expensive job of changing what is served underneath it.
When Russ Klein quietly hired CP+B in 2003, Burger King had suffered through seven straight years of sales declines and a 22% drop in foot traffic while the fast-food category was growing. The brand was known, but not loved - which is marketing speak for everybody knows who you are, but nobody cares enough to come see you.
Instead of trying to be all things to all people, Klein and CP+B figured out who could move the needle fastest. Publicly, Burger King called them “Superfans.” Internally, CP+B called them “Meatheads” - and no, I didn’t make that up. They were mostly younger men who liked big burgers, games, the internet, irreverent humor and eating out constantly.
The interesting part wasn’t that they were young or male. It was that they were already eating fast food all the time. The research showed that the average Superfan visited Burger King about five times a month, ate away from home 43 times a month and went to other fast-food restaurants another 11 times. Burger King didn’t have to convince a vegan to eat a Whopper - they had to get a prolific fast-food eater to make one more visit to BK instead of Taco Bell, Wendy’s or McDonald’s.
The math around one additional monthly visit was gigantic. It’s called finding the low-hanging fruit - something every marketing textbook talks about and very few companies are brave enough to actually do, because somebody in the room always wants the campaign to appeal to women, children, grandparents, vegetarians, dog owners and left-handed actuaries at the same time.
The resulting strategy was described as “provocative, not pleasant.” CP+B gave Burger King the voice of the cool uncle - the guy who told you how it really was and occasionally did something your parents wouldn’t approve of.
We got Subservient Chicken, the creepy King, Whopper Freakout, Whopper Sacrifice, Whopper Virgins, the Xbox games, Flame cologne and all kinds of other things that people willingly talked about and passed along. Alex Bogusky used to tell his people not to write him a campaign - write him a press release. In other words, come up with something interesting enough that people would choose to talk about it instead of spending the entire budget forcing them to watch it. We wrote about many of these campaigns, and sadly, so many of the links and videos are gone. One that knocked us out was Ugoff- a very different spot that demanded attention.
The franchisees weren’t always happy. As I remember the story, around year three there were plenty who wanted Crispin gone because the work was too weird, too male and too far outside their comfort zone. One of the agency’s answers was the glorious “Manthem” spot for the Texas Double Whopper - a mob of men rejecting tiny portions of “chick food,” ending with a minivan being tossed off an overpass and a giant banner reading “EAT THIS MEAT.”
Subtle? No. Forgettable? Not a chance. “Eat like a Man, Man!”
More importantly, CP+B did something almost unheard of for an ad agency - it helped invent products Burger King could sell. The idea for Chicken Fries was to make something that fit in a cup holder for kids- and our recollection credits CP+B with coming up with the idea. We’ve done the same thing at The Next Wave helping clients develop new products from pizzas to binoculars.
Chicken Fries are still on the menu today because customers wanted them. Burger King actually discontinued them and eventually had to bring them back after customers kept asking for them. That is the difference between creating an ad people notice and creating a product people miss when it’s gone.
The Xbox promotion was just as brilliant. Burger King sold three different games featuring its advertising characters for $3.99 with the purchase of a value meal. They sold 3.5 million copies and reported a 9% year-over-year sales bump during the quarter. People drove to Burger King, bought food and then paid extra to take Burger King advertising home with them.
Subservient Chicken set the internet on fire, and the geniuses at BK now have that domain pointed to their home page- instead of keeping their freak flag flying. If you don’t know Subservient Chicken, here’s a “case study” video about it.
Find us another agency that can put ideas that big on their timesheets.
By the end of 2008, Burger King had record worldwide revenue of $2.46 billion and its 18th consecutive quarter of positive sales growth. In-store traffic was reportedly the best it had been in a decade. No, an ad agency doesn’t deserve all the credit - ownership, operations, menu changes, franchisees and management all mattered - but it’s pretty difficult to argue that CP+B was hurting the company.
Burger King may still exist without CP+B, but there is a reasonable chance it wouldn’t have nearly as much brand equity left to squander.
And CP+B clearly still had horsepower after Burger King. Domino’s hired them in 2007, while they were still working for BK, and together they helped turn a tired pizza delivery company into what was arguably the most innovative restaurant and technology company in the category.
Pizza Tracker launched in 2008 - long before every delivery service decided customers should be able to watch a little icon crawl across a map. It answered the question every pizza customer had: Where the hell is my pizza? Domino’s already had the operational data inside its system; CP+B helped turn that invisible information into something customers could see and value.
Then came Pizza Turnaround. Domino’s didn’t make a vague apology about how “pizza had fallen off.” They admitted that their pizza wasn’t good enough, changed the actual product and showed people what they changed.
First fix the pizza. Then advertise the fix.
Burger King’s new ad takes the opposite approach. It talks about old buildings, slow service, packaging, mistakes, mayonnaise and the King mascot - but doesn’t offer one defining product change that gives me a compelling reason to drive past another restaurant tomorrow.
Burger King is spending real money on its Reclaim the Flame program, updating restaurants, replacing equipment and trying to improve operations. Good. It was long overdue. Customer satisfaction is reportedly improving, and U.S. comparable sales were up strongly in the first quarter of 2026.
But the central product strategy still looks like it is being ruled by people who would rather simplify operations and cut food costs than give customers something worth making a special trip to buy.
The Ch’King dethroning.
The Ch’King may be the most obvious example. Burger King spent years developing a large, freshly hand-breaded chicken sandwich on a potato bun that could compete with Popeyes and Chick-fil-A. Burger King even advertised that it had refused to “half-ass” it. Note, Popeyes is also owned by RBI, same as BK.
It was very good.
At the time, Burger King had roughly 7,000 U.S. restaurants - vastly more distribution than its RBI sister brand Popeyes. That gave them an incredible opportunity. One person in the car could get a Whopper, another could get a genuinely competitive chicken sandwich, the kids could eat Chicken Fries and everybody could be satisfied without making two stops.
That is how restaurant decisions actually get made. The person who wants the burger doesn’t always pick the restaurant - the group picks the place where everyone can find something they want.
Burger King killed the Ch’King after about 15 months.
Tom Curtis later admitted that it was a fantastic product when made correctly, but that it required 21 preparation steps and was difficult for restaurants to execute consistently. Fair enough. Twenty-one steps is too many in a fast-food kitchen.
The answer should have been to redesign the process while protecting the product. Take out five steps. Change the equipment. Simplify the variants. Use what RBI had learned from Popeyes. Certify restaurants before allowing them to sell it. Do whatever had to be done to keep the reason customers wanted the sandwich.
Instead, Burger King replaced it with the Royal Crispy Chicken sandwich - a cheaper, easier-to-make substitute that tastes exactly like the decision behind it.
Domino’s changed its operation to support a better product. Burger King made the product worse to accommodate the operation.
The Whopper Decision they refuse to make
While Burger King was busy changing agencies, Five Guys, Shake Shack, Smashburger, Culver’s and a host of smaller burger chains trained customers to associate fresh, never-frozen beef with higher quality. Five Guys doesn’t even have freezers in its restaurants. Culver’s proudly says every ButterBurger is made to order with fresh, never-frozen beef. Shake Shack built an entire premium burger business around fresh beef and better ingredients.
Burger King owns something none of them can honestly claim at national scale - flame broiling.
The answer has been staring them in the face for at least 15 years:
Fresh beef over a real flame.
Instead, the new improved Whopper gets a better bun, creamier mayonnaise and a box that keeps it from being crushed. Those are improvements, but the frozen patty remains unchanged.
Burger King put the Whopper in a nicer suit and left the same cheap meat underneath.
McDonald’s managed to move its Quarter Pounder platform to fresh beef across most of the country, and McDonald’s operates on a scale that dwarfs Burger King. BK didn’t have to convert every hamburger in the system overnight. They could have introduced one fresh-beef premium Whopper, tested it regionally, certified restaurants that could handle it and then expanded.
Fresh beef plus flame broiling would give Burger King a product story no competitor could copy.
DOH.
The same goes for shakes and desserts. Culver’s has made fresh frozen custard, Concrete Mixers, malts, shakes and a rotating flavor of the day into a completely separate reason to visit. Five Guys offers a ridiculous number of shake combinations. The small Florida Chicken brand, PDQ makes hand-spun shakes that are good enough to make you consider going there even if chicken wasn’t your first choice.
Burger King has thousands of restaurants, plenty of refrigeration, beverage equipment and a brand built around indulgence. Coming up with a shake people would actually drive to buy should not require McKinsey, artificial intelligence or another $50 million rebrand.
A great Whopper, a great chicken sandwich, Chicken Fries and a killer shake would give four different people four different reasons to choose Burger King. That’s a strategy. A 90-second apology is an ad.
DAVID did create some very good work after CP+B. Whopper Detour was insanely great - go near a McDonald’s, unlock a one-cent Whopper on the BK app and then get redirected to Burger King. It generated app downloads, restaurant visits and actual sales. It was a stunt with commerce built into it.
Moldy Whopper was the opposite. It was a beautiful Cannes case study featuring Burger King’s flagship product decomposing in front of us to prove that it no longer contained artificial preservatives. Ad people loved it because it was brave, disgusting and impossible to ignore.
Independent testing found that purchase desire ran far below restaurant-ad norms and that more than a quarter of viewers said it discouraged them from buying Burger King.
Who could have possibly predicted that showing moldy food wouldn’t make people hungry?
Somewhere along the way, Burger King began confusing making the advertising famous with making the restaurant successful. The company currently has fewer U.S. restaurants than it did five years ago, and its average restaurant still generates far less than a Culver’s. You can’t blame all of that on marketing - in fact, you can’t blame most of it on marketing - but you also shouldn’t keep changing agencies and expecting a different logo, jingle or brand manifesto to fix decisions being made in purchasing, operations and the test kitchen.
The new Burger King commercial claims that the customer is finally the King. If that were true, would they have killed the Ch’King instead of fixing the preparation process? Would they still be using frozen beef while competitors build entire brands around fresh meat? Would Chicken Fries have disappeared until customers demanded them back? Would they have waited years to fix the bun and packaging? Would their shakes still be an afterthought?
“Have It Your Way” apparently means have it your way - as long as your way isn’t too difficult or expensive for us.
The creepy King was never the problem. He was one of the few things Burger King had that was instantly recognizable, impossible to confuse with a competitor and capable of generating attention without another celebrity endorsement.
Burger King doesn’t need to fire the King. It needs to stop being cheap if it really wants to be better, stop changing agencies every time management changes and stop asking advertising to cover for inferior product decisions.
And, if the customer is really King, it might help to start listening before killing the things we actually liked.
The problem was never the King.
It’s been the fools ruling the kingdom.
Sex, Lies, and Data Pipelines: How the Astronomer CEO Made His Company Famous
What a Coldplay concert, an HR affair, and an awkward kiss cam moment teach us about talk value, tension, and why most B2B marketing is invisible.
Until recently, nobody knew what Astronomer was.
Turns out it’s a data science company that helps “observe data pipelines.” Most people have no idea what that means, and frankly, they didn’t care.
But after their CEO, Andy Byron, who is married, was caught on a kiss cam with his “Chief People Officer” (who isn’t his wife ) at a Coldplay concert, everybody knows who they are now. The moment could have faded quietly, just another awkward pan on the jumbotron, but they froze. Looked guilty. Then Chris Martin riffed from the stage:
“Either they’re having an affair or they’re just very shy.”
And just like that, the company no one was watching went viral.
This Was Their Super Bowl Ad
They didn’t buy airtime.
They didn’t script a CTA.
They just got caught in a moment that was messy, human, and full of tension.
This wasn’t a brand campaign. But it was marketing. The kind people actually talk about.
You Don’t Need Permission
You Don’t Need Polish
You Need People to Give a Damn
As Alex Bogusky once said in a conversation with Lee Clow:
“When someone does something with the Burger King mask on, like hold up a liquor store… in a way, maybe that’s good. I’m not sure that’s good.”
Bogusky understood that attention, even the uncomfortable kind, has value. That’s why CP+B’s creative briefs always focused on tension. What makes people squirm? What challenges their assumptions? What sparks a real conversation?
Most brands avoid that.
Astronomer walked right into it. And suddenly, everyone was watching.
At The Next Wave, we’ve always said great marketing must do two things:
Create Lust • Evoke Trust.
Astronomer nailed the first part. The intrigue. The gossip. The viral moment.
But trust? That cracked.
When your CEO and your HR Chief go viral for all the wrong reasons, it’s not just a personal mistake. It’s a professional crisis. And the worst thing you can do is pretend it’s not happening.
What They Should Have Done
If we were working with Astronomer, we would have told them to own the mistake immediately. Fast. Direct. Human.
Not with legal disclaimers. Not with silence. Not with a corporate line about “personal matters.”
We would have helped them release something like this:
What Astronomer Could Have Said
Headline:
We Work With Data. This Week, We Learned From It.
Body:
We believe in transparency, especially when it’s uncomfortable.
This past week, a personal moment between two of our executives became public. While the attention wasn’t about our work, it has understandably raised questions about our culture, our leadership, and our values.
We owe you clarity and action.
The individuals involved were our CEO, Andy Byron, and our Chief People Officer, Kristin Cabot. Their lapse in judgment has had a real impact on our team, our reputation, and the trust we’ve worked hard to build.
After internal discussions and personal reflection, both Andy and our Kristin have stepped down from their leadership roles, effective immediately.
They will not be leaving the company. Both bring deep institutional knowledge and valuable expertise that can still support our mission, just not in executive positions. Astronomer is now identifying new leadership that reflects the culture we are recommitting to.
We are also bringing in an independent firm to review and strengthen our internal policies. This isn’t just about one moment. It’s about building a more resilient and transparent organization.
At Astronomer, we’ve always believed in the power of observing and learning from data. This week, we’re applying that lesson to ourselves with humility, honesty, and intent.
Thank you for holding us accountable. We intend to earn back your trust.
~ The Astronomer Leadership Team
What Comes Next
Once the headlines cool off, the real work starts. Trust doesn’t rebuild on its own. It takes consistency, clarity, and leadership that isn’t afraid of the truth.
In 60 to 90 days, Astronomer could reintroduce itself with a soft brand campaign. No gimmicks. Just clarity.
Here’s how:
“We observe data. And we’ve learned to observe ourselves.”
“Data reveals patterns. So does leadership.”
“We’ve updated our dashboards. Internally, and externally.”
“What we monitor most now: ourselves.”
“Trust is our next release.”
That’s how a company gets back in the game. Not by hiding. Not by spinning. But by owning what happened and showing that it made them better.
Because when you go viral for the wrong reasons, your next move is everything.
And if your agency isn’t ready for that moment, you need a new one.
At The Next Wave, we help brands build trust before and after it breaks.
Key Strategic Recommendations
1. Acknowledge, Don’t Evade.
You can’t bury a kiss cam moment that got international attention. Attempting to “no comment” this invites memes, not mercy.
2. Show the Decision, Don’t Just Talk About Values.
Immediate resignations signal seriousness. Kicking it to an “internal review” while everyone laughs online undermines credibility.
3. Preserve the Brand, Not the Ego.
Andy Byron isn’t the brand. Astronomer’s trust with clients and investors is. Leadership turnover is painful, but necessary here.
4. Humanize the Fall, Without Excusing It.
Lean into the idea that this is how people learn, painfully, publicly. It’s the heuristic cost of bad judgment. The old sports adage about it’s not how you fall, it’s how you get back up is what matters.
5. Reinforce Culture With Action.
Introduce a third-party audit of company culture. Reaffirm HR policies. Make the next hire someone known for integrity and transparency.
6. Make a Quiet But Smart Marketing Pivot.
In 60 to 90 days, if the storm settles:
A soft brand campaign that nods to what happened, without exploiting it.
“We work in observability. That includes ourselves.”
“Data reveals trends. Transparency reveals truth.”
Update: Well, Astronomer went big, and released this ad starring Gwyneth Paltrow (wife of Chris Martin of Coldplay) that refocuses the message back to what they do, instead of what their former employees did.
The work by Ryan Reynolds ad agency, Maximum Effort, which states on their “aboot” page (Reynolds is Canadian, eh) “Maximum Effort makes movies, shows, ads, investments and cocktails for the personal amusement of Hollywood Star Ryan Reynolds. The simple ad has racked up millions of views, but still has a way to go to surpass the viral nature of the kiss cam debacle. While no one has said how much this star power cost, the reality is Chris Martin and his wife may realize that Chris inadvertently helped destroy two fan’s lives, and didn’t want their innocent co-workers to suffer. In the grand scheme of things, this was a noble step in the right direction for Coldplay to help re-direct the conversation.
Good is the enemy of great
When it comes to advertising, every single client wants great advertising. The problem often is, great advertising ideas often scare the pants off clients. “Has that been done before?” or “Can we test it?” are usually the first lines of defense. If you are asking questions like these it should make you wonder why you hired the agency you did in the first place.
There are “hot agencies” in the business where desperate clients line up trying to make up for their other failings with a hail Mary ad campaign that will push them back into profitability. Often times, the old adage that nothing will put a bad company out of business faster than great advertising comes to mind. The reason Burger King can’t compete with McDonald’s has more to do with how clean the parking lot and bathrooms are, and not the quality of the food. Remember, flame broiling beats frying? Burger King’s burgers may taste better, but the rest of the delivery is lacking. Burger King has also been through more ad agencies than any other fast food feeder, other than a 7 year stint with Crispin Porter + Bogusky, it’s been a revolving door.
There are also some people in advertising who are idolized in the industry for doing ground breaking award winning work. We’re lucky enough to know quite a few of them at the Next Wave. We’ve done work for Sally Hogshead, Luke Sullivan, Ernie Schenck, and have open connections with some other big hot shot names. But, there’s one guy who we don’t know, but we know his work. He’s broken all kinds of rules in advertising and made music videos that were unforgettable, his name is Mark Fenske, and he’s been teaching advertising at VCU Brandcenter in Richmond VA (much like our friend and client Luke Sullivan was at SCAD for over a decade). On the front page of his personal site, he has an ad he did for a stock image library, Ibid, around 2004. Its headline, “How to know when you’ve done a good ad.”
And, well, we couldn’t leave it alone, because “good is the enemy of great.” So you can flip between how to do a good ad, and “how to know when an ad is great” seems a lot more important to folks like you who may be searching for the holy grail of advertising genius.
We strongly believe that the best advertising isn’t accidental. It depends on both the agency and the client, being able to work together, to trust each other, it’s more like a marriage than just a transactional one-night stand. When Bob Knight hired two guys and an office manager in Portland to do work for his budding shoe brand, Nike, he’d already been working with an agency in Seattle (John Brown and Partners) that had done an epic ad in 1977 that changed his business - “There is no finish line” but decided to make a switch.
It took W+K all the way until 1999 to come up with “Just do it.” And the rest they say is history.
In your search for great advertising, just remember, almost every amazing campaign wasn’t done by committee, just two people sitting in a room spitballing ideas until they hit the motherlode. The guys who came up with “The Most Interesting Man in The World” for Dos Equis hit the jackpot 20 minutes before the presentation. That the client was willing to run a campaign that begins with “I don’t always drink beer, but when I do I prefer Dos Equis” is that squirm/cultural tension that propelled the campaign into the stratosphere. (For the whole fascinating story of how this campaign came to life, we highly recommend listening to the “Tagline” podcast about this campaign)
If you are looking for an agency that can give you great advertising, and you’ve read this far, maybe you should take the next step and schedule a call with The Next Wave Marketing • Innovation. We’re the agency that understands our job is to make you more money than you pay us- and create lust • evoke trust, and we were also smart enough not to name our agency after our founder.
Thanks for reading. Really.
What kind of ad agency is right for you?
How do you find the right agency for your business? Well, it starts out knowing enough about advertising to know that their are different approaches to advertising and different agencies approach problems differently.
Justin Oberman is a prolific poster on Linkedin and is teaching an ad history class for AdHouseNYC, this is his summary of the main strains of agencies.
If you are looking for an advertising agency or a job in an ad agency, it’s essential to understand the different kinds.
Because no matter how much an agency says it reinvented the model, when you study advertising history, you discover that there are essentially five different types of ad agencies.
- Bill Bernbach-type agencies.
- Rosser Reeves-type agencies
- Leo Burnett-type agencies
- David Ogilvy-type agencies
- And Howard Gossage-type agencies
Here’s a breakdown:
Bill Bernbach Agencies
• Advertising is an art form
• Focused on persuasion.
• Creative Idea Driven
• Entertainment over repetition
• Believes humans make decisions based on emotions.
• Every ad is based on human truths
• Idols: Bernbach, Droga
• Example: Erich and Kallman
Rosser Reeves (Ted Bates) Agencies
• Advertising is a science.
• Focused on the hard sell.
• Data-Driven
• Repetition over entertainment
• Believes humans make rational decisions
• Every ad is wrapped around a “unique selling proposition.”
• Idols: Data. They also have no idea who Rosser Reeves is.
• Example: Any good digital DR agency
Leo Burnett Agencies
• Advertising is symbolism.
• Focused on simplicity.
• Archetype driven
• Drama over cleverness
• Believes in the down-to-earth, wide-eyed perspective of Midwesterners
• Every ad is based on finding the inherent drama in the product
• Idols: Themselves as regular people
• Example: W+K or Any “branding agency.”
David Ogilvy Agencies fall somewhere in between.
• Advertising is capitalism
• Focused on selling or else
• Benefit-Driven
• Classy over entertaining
• Believes humans are led by emotion but justify it with reason
• Every ad is based on a product benefit interestingly told
• Idolis: Themselves as the creatively rational ones.
• Example: Mekanism, Note: Most agencies think they are Ogilvy-like agencies. But they are rarer than you think
The Howard Gossage Agency
• Advertising is propaganda
• Focused on solving problems
• P.R-Driven
• Less advertising over more advertising
• Keep it simple. Make it exciting. Believes humans want to have a good time
• Every ad is based on a conversation
• Idol: As Rory Sutherland put it: Gossage is the Velvet Underground to David Ogilvy’s Beatles and Bill Bernbach’s Rolling Stones. Not a household name, but to the cognoscenti, a lot more inspirational and influential.”
• Example: Mischief @ No Fixed Address, Anomaly, The early days of Crispin Porter Bogusky, Generalists
None of these types of agencies are better than any other.
All of them serve an essential purpose for every brand.
But none of them can truly be all of them.
Happiness in this industry is knowing where you belong.
Happiness as a client is knowing which one you need.
Some agencies can be hybrids- falling into more than one category.The Next Wave tends to fall into a cross between the brand driven symbolic style of Leo Burnett style crossed with the Howard Gossage problem solving propaganda. We aim to help our clients find a voice, and use it efficiently to convey their magic mojo in the marketplace
One of the latest trends is clients looking for a “Digital agency” which is an absurd ask. There are no agencies doing paste up, or shooting ads on film. We’re all digital, what the client is thinking is a media targeting strategy that relies on programmatic ad buying and search engine marketing. That’s all well and fine, but, if your message isn’t working, no amount of digital wizardry is going to solve your problems.
Learn about the different types of agencies- and then find one you can build a good long term relationship with. That’s been the best kept secret in advertising since Steve Jobs met Lee Clow or Phil Knight met Dan Wieden and David Kennedy. It takes time for any good agency to learn your business and fully understand your customers.