We’re giving up on the drama and the editing of “The Pitch” in our discussions now. It’s pretty obvious to us that the editors are more interested in using a formula to build a 42 minute show that builds to a crescendo to “you’re hired” in the style of “The Apprentice,” It’s not the way advertising agencies should or would be picked, because clients can always say, sorry, none of the above and continue their search. That’s probably what Clockwork Home Services should have done here, but didn’t.
In the real world, the client would pick agencies to invite a lot better. They might even hire an “Agency Search Consultant” to help bring a semblance of order to the process and add an outsiders unbiased opinion to the discussions and evaluations of the presentations. That way, the agencies might actually have experience that brings value to the table. In this case- neither agency would make the long list- never mind the short one.
The assignment was the hardest to date. The only people who would think of combining three brands under one umbrella like this and think it would work are MBAs. YUM brands owns Taco Bell, KFC and Pizza Hut and while they may put together franchises in a location- they wouldn’t tie the brand message together in advertising (at least I don’t remember anyone being that stupid- I can see it now, the Col. walking a Chihuahua into a pizza shop…) The three brands: Mr Sparky, Benjamin Franklin and One Hour Heating have about as much in common as the various members of the Village People- and that was supposed to be a joke.
fkm had a secret weapon- the “new girl” - Philippa Campbell, was a ringer they brought in for the show on a short term contract. She’d worked for Goodby and had the right insight to begin with: customers don’t really like calling for service companies when it comes to plumbing, electrical or HVAC repair. How happy are you when your AC doesn’t work, or the toilet’s overflowing. She was probably the only bright spot in this show. Unfortunately, her advice was lost on the sleep deprived minions of fkm when they decided to create “Help +” as the strategy- costing the client extra money for the 30 extra minutes of “free service”- and making that plumber who just showed you his butt crack stick around and try to cut the customers hair… uh-huh.
The Hive did the unthinkable right off the bat, ignored the clients wishes- before they’d earned the respect of the client. It probably killed them, long before the pitch. How the bowling ball toilet ad managed to make it out of concept to presentation was a major suspension of belief, but also, the starting out with the “America’s On Time Hero’s” video with a Canadian flag was epic #fail. It’s never about the agency- it’s about the customers and the client.
We’re afraid that this show is doing more damage to the perception of what an ad agency does than Darrin Stephens did on “Bewitched”- we’re not bumbling fools who strut our ideas like mindless peacocks (at least not the professionals I know), we’re serious business consultants who pull off the magic of advertising- to quote Guy Kawasaki, we’re the plastic surgeons of marketing that take the old and tired products and services and make them appear young, new and attractive.
While we’re pretty sure that the producers and the editors think this formula for presenting “the pitch” as drama is good television, we’re pretty convinced that the only people watching are others advertising pros. Not a bad audience, but one that AMC will alienate pretty quickly if they don’t stop making our craft look like a playground for egomaniacs and children. We’re all hoping they change directions, turning it into more of a documentary, without the added drama, in the style of the brilliant Art & Copy: Inside Advertising’s Creative Revolutionor even Exit Through the Gift Shop
Most reviews we’ve found have slammed the first three episodes, and if you want to read some scathing, foul mouthed commentary, head over to the Denver Egoist for Felix’s rants about the show.
Here is our three minute video review about episode 3- and a 40 minute podcast of the conversation. Note, the podcast will have you in on us guiding our production and trying to make the whole thing come across a little better in the video. We’re still learning how to produce these docu-drama reviews.
Next week’s The Pitch, (@ThePitch_AMC) episode 3, will feature two ad agencies competing to win Clockwork Home Services as a client. The contenders are The Hive (@The_hive) from Toronto and FKM (@FKMAgency), located in various office in Texas. From the teaser the assignment will be for three different brands; Mister Sparky, Benjamin Franklin Plumbing and One Hour Heating and Air Cooling. They hint at the the briefing - “The task is to develop a tri-branded, integrated promotion that will drive customers to call one of our brands.” The first two episodes have had some pretty tough assignments to crank out in one week, but this one may take the cake. It’s not clear whether or not it will be a complete rebranding or a new ad campaign, but either way it’s a daunting task.
Just like an ad-centric Oscar party, we’re making our prediction on this episode; The Hive will emerge victorious. Why? Looking at their site, The Hive is building “buzz” (pun intended) about The Pitch allover the place, whereas FKM only has a few mentions Only the winning agency promotes the hell out of the show? It worked that way for episode 2.
On the other hand, our pattern recognition mode has been switched on and we see that FKM’s About page is very similar in concept to the About page on SK+G’s website; right down to the rollover animation on the photos. This makes them seem a bit more quirky and web-savvy–traits that have won the previous two clients on The Pitch. We are still going with The Hive as the victor, but it could go either way.
Perhaps also worth noting is that one of the clients featured on FKM’s website is Waste Management. Yep, the very same WM from Episode 2. Intriguing…does this mean that FKM was scrapped (pun intended) by WM? This begins to raise questions about how and why AMC picked the agencies that they picked; the connections are a little too apparent.
We at The Next Wave believe in deep insight based creativity and after seeing a few of The Pitches, we’ve become a bit pessimistic. We’re also fairly certain that the ad agency with the best pitch will not be chosen. Look for the best showmanship and razzle dazzle, not the agency with the profound concept.
We’ll watch the show on Tuesday morning at the office and do our post pitch review like we’ve done for the previous episodes.
[contains spoilers] We here at The Next Wave have our opinions about the second episode of AMC’s The Pitch. While we all look forward to each new episode, we also realize that the reality of advertising and the “made-for-TV” version of it are quite different (as is the case with all reality TV).
This episode features two ad agencies, SK+G from Las Vegas and The Ad Store from New York. They are competing against each other to land Waste Management as a client. You can buy the show or the season on iTunes The Pitch, Season 1 - The Pitch and follow along as we watch 15 agencies work to win 8 accounts (The Ad Store went twice).
We felt that episode 2 was more interesting than the pilot. The “Ah-hah” moment when The Ad Store’s Paul Cappelli came up with the brilliant “Trash Can…” positioning reminded all of us in the biz how great it feels when you get it right and know it.
Of course- when the client falls for dreck from the competition, we can also relate.
We recorded our conversation after the show- and made a podcast and then tried to edit it to 3 minutes to get a feel for what happens with the show. We’d love to hear what you think- and why you agree or disagree with us.
You can listen to full, unedited audio of this discussion here (26 minutes):
[podcast]https://thenextwave.biz/wp-content/uploads/2012/05/the-next-wave-pitch-ep-2-podcast.mp3[/podcast]
What is becoming apparent after two shows is that the clients willing to put their brands up to this are already uncertain with their own marketing. Buying into a one hour “reality TV” stunt will get you an hour in the spot light, but the question that should be asked is who’s watching and if that’s your market. Reaching all the ad pros in America probably isn’t your target market (although if you were an agency pitch consultant it might be good to put your ads on the air).
The agencies are getting exposure that will propel them into their 15 minutes of fame- for some this is good. The twist of coming out on National TV by Cappelli was unexpected- and none of us saw that coming. The bickering between the two SK+G ECD’s was painful to watch. Word online is that Ray Johnson has left Las Vegas for Chicago, although his resume isn’t updated yet. Talking about the miscues of SK+G in this episode would be a rather long post. We’d rather concentrate on the strategic issues that were missed.
The brief from the people at Waste Management was poor. “Making people aware of why we’re different” is unfocused and doesn’t identify which people. Why do they want to “create awareness that Waste Management converts waste into energy” - is it to grow market share, increase recycling? They don’t say what their goals are. The words “viral” and “edgy” should never appear in a brief. The value of Agency Search Consultants is becoming very apparent watching these two clients give their briefs. To give the agency the job to tell the client where they are going isn’t something you do on a first date- it’s something you discuss after you’ve worked together and the agency fully understands the clients DNA and has earned the client’s trust. One week prep is what you do for a fire sale, not a corporate strategy.
We’re not privy to budgets or the resources that the client will make available to the agency, but we felt that the emphasis for a company with an amazing infrastructure of trash trucks, waste containers and employees across the nation was a missed opportunity that neither agency suggested in their presentation.
It’s here where ‘Trash Can…” power this and save the planet etc. became powerful. Not with a guerrilla sign in trash heaps campaign, but printed on every trash can that carries the WM logo. On the sides of their trucks- they have a fleet of roving billboards. Here is a low cost place to start communicating the idea that “Garbageispower.com” which The Ad Store was linking to. This isn’t a campaign where “new media” should be the lead.
The SK+G winning concept of “Waste into WOW!” with it’s reuse of the award winning Reporters without Borders concept of using a QR code and a smart phone to make celebrities??? talk trash? was painfully bad. How much does WM want to spend on print ads - and what celebrities were going to sign up? Trash talking sports stars or trashy d-list celebs?
Ultimately, we believe the wrong agency won, as do other ad pros who’ve weighed in on multiple sites. When we went to vote on the AMC Poll- (which went from almost 65-35 to 60-40 since I first voted) shows that a majority of people who were willing to vote picked the Ad Store as well.
We’re looking forward to the premier episode of “The Pitch” on AMC. Not that we believe that the way the show is cut together really shows how great advertising is done, but because we are students of the craft of advertising and always are interested in the process of creating ads- or even spec work (which we always think is a bad idea).
The pilot episode was a pitch for Subway’s breakfast business, where the brief focused the agency work on the 18-24 crowd. As almost always is the case, the quality of the brief guides the work. How Subway decided that they needed to reach 18-24 year olds to sell more breakfast sandwiches was never substantiated which really should have been the first question the agencies asked.
The two brave agencies that went boldly where the truly huge agencies wouldn’t were McKinney in North Carolina and WDCW from California. Both have a substantial portfolio of work and are proven shops capable of doing great work. Subway’s exec team tipped their hand early, showing disrespect for WDCW’s previous work for Quiznos. Almost predictably, McKinney “won” the piece of business, but considering Subway’s never been known for producing any award winning work, it’s just dollars to the bottom line and a great chance for McKinney to get some self promotion.
Which brings us to the “premier” episode for Waste Management. Without talking trash, this isn’t exactly the kind of account that agencies hope to win Cannes hardware with. The two agencies in round two- SK+G from Las Vegas and The Ad Store from NYC aren’t as well known or respected as the round one agencies by their peers. Spend a little time on their sites and you’ll still not know very much about what makes them tick. You’ll also notice that while SK+G has lots of mentions of “The Pitch” on their site, The Ad Store doesn’t mention a thing. Foreshadowing? We’ll see. Neither site shows much prowess at Web 2.0 or social media, so maybe these are the right agencies to pitch Waste Management, who does mention The Pitch on their site. In fact, you’ll probably learn more about Waste Management on their site than you will about the agencies pitching on theirs.
One always should wonder about these “clients” using “The Pitch” as their hiring vehicle. Who is their current agency? Why are they playing spin the bottle for an agency on national television? It’s our belief and experience that the best advertising comes from long term relationships with clients that work with their agency like a respected partner. This show is about as far away from that as it comes.
We’ll have more on Episode 2 after it airs. Anyone else want to bet on the winner now?
